png-heaven:

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Vintage and antique dollshouses

(via taemi)

unavernales:

uh so i never do this but maui is quite literally on fire and there isn’t nearly enough care or consideration for. you know. Native Hawaiians who live here being displaced and the land (and cultural relevance) that’s being eaten up by the fire. so if ya’ll wanna help, here’s some links:

maui food bank: https://mauifoodbank.org/

maui humane society: https://www.mauihumanesociety.org/

center for native hawaiian advancement: https://www.memberplanet.com/campaign/cnhamembers/kakoomaui

hawai'i red cross: https://www.redcross.org/local/hawaii/ways-to-donate.html

please reblog and spread the word if you can’t donate.

(via shi-mai)

miriammaisel:

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DISNEY CHANNEL CHALLENGE ↪ [7/12] DCOMS

The Cheetah Girls (2003) dir. Oz Scott
The Cheetah Girls 2 (2006) dir.
Kenny Ortega

(via juanitasupreme)

zegalba:

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Cho Gi-Seok: Bad Dream (2021)

(via relelvance)

godinourhands:

I have noticed a tendency in some circles to, at least implicitly, disparage or diminish feelings of hopelessness and despair—feelings that touch on nihilism. I met and worked with a peaceworker in Iraqi Kurdistan who said that she didn’t have much hope and didn’t believe in God; and yet, she kept on working, even in the face of a tangible and profound violence and a rejection of metaphysical certainty, to document horrors and amplify the voices of the oppressed, read and love poetry, and witness to the possibility of nonviolence. I don’t think that feelings of hopelessness and despair are inimical to the cultivation of devotion and a commitment to the notion that there are things that are worth saving, even or especially if the saving act feels impossible. We have to love even in the face of despair, even without the guarantee that love will, in some cosmological or eschatological sense, prevail. It is enough—more than enough—to move forward with our vulnerable and human hearts, our hearts that are softened and hardened and broken open and softened again, and hold to a love without guarantee.

(via shi-mai)

fairycosmos:

what is it about getting older that makes every interaction feel so fucking sentimental? like saying goodbye to people used to just be a “see you around” sort of thing, and now it’s a whole declaration of love for the person and the position they’ve held in my life condensed into a hug or a “take care of yourself” 

(via taeminyou)

modelsof-color:
“ Jing Wen photographed by Yvan Fabing for Garage Magazine Fall / Winter 2016
” modelsof-color:
“ Jing Wen photographed by Yvan Fabing for Garage Magazine Fall / Winter 2016
”

modelsof-color:

Jing Wen photographed by Yvan Fabing for Garage Magazine Fall / Winter 2016

(via relelvance)

sivavakkiyar:

great issekai (Japanese author) here about a world famous communist theoretician who suddenly finds himself in a geological era defined by the primacy of humanity’s effect on the climate and all relevant ecosystems

(via relelvance)

exportings:

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yasmeen ghauri backstage in the 90s

(via evilrashida)

jinxproof:

Alexander McQueen S/S 2001
Erin O'Connor | © condé nast  

(via relelvance)

aqua-regia009:

Roman Ruins in Schonbrunn, 1891 - oil on canvas.
Carl Moll (Austrian, 1861-1945)

(via relelvance)

jinxproof:

Alek Wek
Vogue Paris (December 1997)
ph. Jean-Baptiste Mondino

(via relelvance)